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Revisión de 04:08 24 sep 2025

When Radio Met Neon in Parliament

It sounds bizarre today: in the shadow of looming global conflict, MPs in Westminster were arguing about neon signs.

Labour firebrand Gallacher, rose to challenge the government. Was Britain’s brand-new glow tech ruining the nation’s favourite pastime – radio?

The figure was no joke: around a thousand complaints in 1938 alone.

Picture it: ordinary families huddled around a crackling set, desperate for dance music or speeches from the King, only to hear static and buzzing from the local cinema’s neon sign.

Major Tryon confessed the problem was real. The snag was this: the government had no legal power to force creative neon signs London ideas owners to fix it.

He said legislation was being explored, but admitted consultations would take "some time".

In plain English: no fix any time soon.

The MP wasn’t satisfied. He said listeners were getting a raw deal.

Another MP raised the stakes. What about the Central Electricity Board and their high-tension cables?

Tryon deflected, admitting it made the matter "difficult" but offering no real solution.

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Seen through modern eyes, it’s heritage comedy with a lesson. In 1939 neon was the villain of the airwaves.

Jump ahead eight decades and the roles have flipped: neon is the endangered craft fighting for survival, while plastic LED fakes flood the market.

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Why does it matter?

Neon has always been political, cultural, disruptive. It’s always pitted artisans against technology.

In truth, it’s been art all along.

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Here’s the kicker. We see the glow that wouldn’t be ignored.

So, yes, old is gold. And it still does.

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Don’t settle for plastic impostors. Glass and gas are the original and the best.

If neon could jam the nation’s radios in 1939, it can sure as hell light your lounge, office, or storefront in 2025.

Choose the real thing.

You need it.

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